: $$$$$$$$$$$$$$$$$$$$$$Despite actual examples of individuals creating wealth you say, "Now, in reality,...", and go on to attempt in true Socialist/Communist style that everyone has been duped by their own senses.
Did I say that everyone has been duped by their own senses? You seem desperate, Frenchy--and I hope for your sake that you're being playfully dishonest, too. I hope you're lying, just trying to tease at me and everyone else on this board because you think all leftists are moral posers.
I accept the guitar-maker's talent, his craft and contribution to the sum of human happiness. I wish him well. I hope he makes gobs of money from rock stars who prominently display his logo on MTV and their CD covers.
You might have been able to wean from my letter that I play guitar too, and I know the difference a great guitar can make. (My friend has a Taylor, which makes some of the sweetest sounds I've ever heard.)
What I don't accept was Gort's implication that his friend the guitar maker is a microcosm for the way capitalism works on a large scale. It isn't. Capitalism on a large scale makes makes a lot of useless products (made for exchange value, not for use value) that may or may not be quality. And the big corporations get huge government handouts to make not only wasteful products, but dangerous ones as well. Military companies get funded to make instruments of death!
But back to the little guy. Have you seen the movie "Big Night," the one about Italian immigrant brothers who own a restaurant? It's the one where they are preparing a dinner for Louis Prima, whose visit to their restaurant, they are convinced, will save them from bankruptcy.
These brothers are dedicated, perhaps foolheartedly so, to making "food that's close to God." In other words, they have things on their mind other than profit. As the story unfolds, we learn that their competition--another Italian immigrant who owns a restaurant just across the street--makes mediocre food. He's driving them out of business, and it creates a tension between the art-minded older brother and the younger brother whose leaning is to business.
"Do you know what goes on in there?" the older brother asks about the other restaurant, "Rape. RAPE!"
In the end, the brothers do go bankrupt--instead of making food that is "close to God," they are rolled over buy the profit motive and the mediocre restaurant that's just across the street.
This story--and I use a movie only because there's a chance that you've seen it too--is more illustrative than the guitar maker of the way things really work. And you can add to that corporations getting massive government subsidies, influencing the drafting and enforcing of legislation. Put all this together and you can see how the story of a luthier in his father's garage is an inadequare metaphor for the larger issue.
Frenchy, I'm trying. I'm trying real hard to shake you from what I believe is your inability to see through the bullshit propaganda that the corporations are throwing at us all. In your reply, will you try not to abuse me but rather come just a little bit closer to understanding what I'm trying to say?
to the world of moneyI'll say that again: It is the producers, not the consumers who are sovereign.
: You may well say it a thousand times. A million times. Saying it's so doesn't make it so.
: Except in your mind.
: : And we're not talking guitars here either. We're talking cars that are dangerous to drive but the car companies don't care.
: I don't want them to care, I want them to sell me what I want.
: We're talking chemicals that are marketed in accord with corporate convenience, not public health, and used without proof of safety.
: Yeah, like MTBE; thanx environmentalwackos.
: We're talking pollution dumped into our rivers, oceans and atmosphere the effects of which we can only speculate and wil haunt us for decades to come.
: Yup, again, thanx for all that great MTBE.
: : And the worst part is that the onus is on the public to prove otherwise. When companies put out a dangerous or harmful product (such as, say, asbestos) those consumers suffering injury or death in consequence, or their heirs, may sue for damages, but not only is the burden of proof unfairly located, damaged individuals have nowhere near the capital that the corporations have to endure long, drawn out court battles. The result is they often have to settle out of court. They often do so for a handsome sum, but with their payment comes a contract which stipulates they must promise never to discuss the case with the media. If they do, they have to forfeit not only the settlement money but often substantial penalty as well.
: Yeah, like silicon breast implant dangers turned out to be bogus, after the manufacturers paid out millions for damages that could not be proven. Remember the Alar scare?
: OOOOOOOOOOOOOOO, Environmental Science!! I'm soooooooo scared!!! The sky really is falling!!
: Chill out.
: : So, the irony is, victim compensation can often have the effect of making more difficult the task of exposing how dishonest and madly profit-driven these corporations are. Sometimes the stories do get out, though. Sometimes they get outeven in a court of law. Thus a memo disclosed in a suit against Ford for damages resulting from a faulty Pinto gas tank showed that the company had been quite aware of the defect, but, in a business practice that's not at all uncommon, calculated the cost of engineering improvement to probably greater than anticipated lawsuit damages resulting from injuries and deaths. So they didn't fix the famous exploding Pinto.
: Yeah, and the famous 60 Minute pick-up truck gas tank explosion that was staged. That's all believeable. Next you'll be telling us that bullets are a virus (think I'm making that up? Challenge me for the Federal Department that recommended that bullets be considered a virus in order to bring gun manufacturers under the purview of that department).
: : If America were a democracy, would this be allowed to happen? If consumer sovereignty weren't just a myth the corporations spoon-feed the people to make us think we're in control, wouldn't we have complete access to court records and the records of liability settlements?
: By your reasoning companies would never go out of business. Yet they do. Ever hear of Ceasar Chavez? (If part of the final settlement decrees that the settlement is not to be made public, no.)
: : Well, the idea that government and politicians have our interests at heart is a bald-faced lie. They just tell us that to keep us quiet. Industries are driven by profit, and this motivation poses a danger to the public at large in a manner that your friend the guitar-maker never could. Corporations depend on their ability to fool guys into conflating the difference between a fellow making quality guitars in his father's garage and chemical companies destroying our planet.
: Environmentalwacko rhetoric, I'm going on to more interesting stuff, later....
: : I'll put it another way: Say your buddy were to find out that his guitars had a chance of exploding if somebody plays an F#9th chord on them with a capo on the second fret. Would he sell them? Probably not. No he wouldn't. He's a good guy, just like you, Stu.
: : But then again an F#9th with a capo on the second fret is a rare chord. So would he sell his guitars with the warning not to play such a configuration? Again, if he's your friend I'm sure he is, like you, a good guy. Of course he wouldn't sell them!
: : But Dow Chemical would. Ford would. Motorola would. Boeing would. Raytheon would. Exxon would. G.E. would. All the big corporations would. But before they did, they'd have a lot of memos that explained the problem. Then they'd hire their statisticians to calculate how often guitarists play and F#9th chord with a capo on the second fret. Then they'd hire lawyers adept at stalling cases or in the art of making it to make it seem as if was the players' fault.
: : Then, they'd make sure they had a lot of influence in Washington so as to get favorable legislation. Hell, they might even get a block of government money to research the possibilities of military applications!
: : I hope you haven't grown tired of this guitar metaphor. I'm sure your friend--if he were only to listen to the voice within him--wouldn't do any of these things. And neither would CEO's, in their natural state. The difference between your friend and a CEO, however, is that your friend the guitar-maker still has the OPPORTUNITY to make business decisions based on his human instincts. CEO's simply CANNOT behave as human beings. (Look up the Union Carbide story and you'll see what I mean!)
: : CEO's must base their decisions on stockholders' reports, and stockholders' show only the bottom line--how much profit did we make this year, and how much did it grow over last year?
: : With a couple of ex-wives to support and a mistress to pay some hush money to, not to mention a million dollar home with two mortgages on it and two kids in Ivy League colleges, maybe he better keep his mouth shut about those explosions in the research lab.
: : Can you see, Stu, how the decisions of major industries have nothing to do with making a guitar in your father's garage? Can you see how talent doesn't mean a thing except in the small artisan trades like your friend is in? The logic of captitalism could could make it necessary to smash your friend just like some peasant in Ecuador. And can't you see how the corporations might have an interest in acting as if your friend's business is a microcosm of theirs?
: : For the rest of this post, I'll focus on the chemical industry. Are you old enough to remember Love Canal in New York, or Union Carbide's chemical disaster in Bhopal, India? These are legends of corporate irresponsibility.
: : In America, we have the EPA, a government agency ostensibly set up as a watchdog for corporate malfeasance. But it actually serves to thwart the public's say in what goes into our environment and food, and this was always the case. By the 1970's, the street power of the 1960's produced some leglislation banning some chemicals, but by the time the regulations came in the 1970's, the corporations had no trouble getting "grandfather" rights to continue producing tens of thousands of chemicals already in the market without assurances of safety; and for new chemicals, the only obligationof producers was to report any ill-effects to the EPA (but not to the public.)
: : Consumer sovereignty is a lie, too--unless one stays in the arena of brands of soda and cigarettes. But the popular media will never tell you otherwise. With the plethora of outlets it's hard to pin in down succinctly, but last I heard NBC was General Electric, CBS was Westinghouse and ABC was Disney. Do you think they'll sustained, hard hitting coverage on stories about wasteful military spending, dangerous nuclear power mind-candy entertainment? No, they can be counted on to act in a manner consistent with what they are, corporations looking for profit. And that profit comes from you and me just the same as it does your guitar-making friend.
: : On another angle, how many times have you heard from the popular media that organic farming is safer and cheaper and more profitable and better tasting? Sure, the information is THERE--it EXISTS-- but it takes fanatics to search it out. Meanwhile, the networks give us sitcoms and shows with football-coach-turned-lesbian-transvestite-turned-mom.
: : With their power and influence, the producers maintain their continued ability and right to poison. They do so with five interrelated processes:
: : 1) Controlling and limiting information; 2) using science as an instrument of public relations; 3) dominating or stalemating the regulatory processes, directly or through political influence; 4) the strategic use of litigation (e.g. the McLibel case, which created this very site!); 5) influencing the media to normalize the producers right to poison.
: : I've written too much already. Here are some books for you to read:
: : Rachel Carson's "Silent Spring" (1962)
: : Samuel Epstein's "The Politics of Cancer" (1978)
: : Sandra Steingraber's "Living Downstream" (1996)
: : Dan Fagin and Marianne Lavelle's "Toxic Deception" (1996)
: : Theo Colborn, Dianne Dumanoski and John Myers' "Our Stolen Future" (1997.)
: : From the Washington angle, William Greider's "Who Will Tell the People?" (1992) tells the story of sleazy influence-peddling and backroom deals which take place every day in Washington D.C.
: : You say socialism is antithetical to Christianity? Hey, what about Jesus' line of a camel getting through the eye of a needle sooner than a rich man can get into heaven? What about the Sermon on the Mount? How about Jesus turning over the money-changers' tables in the temple?
: : I'm not expecting an answer. Anyway, maybe you're talking about how Christianity is PRACTICED IN AMERICA, like by Bible-thumping-tambourine-tappers who say Jesus would have been a Republican. If this is the case, and from this viewpoint you also say that we socialists should be ashamed, then I want nothing further to do with you.
: : Indeed, it is YOUR Christianity that is antithetical to SOCIALISM!
: : YOU should be the one ashamed!
: : Right back at ya, god-boy!
: : Well, good luck to your friend who makes guitars. I hear Nero made some sweet sounds too.
: : Harpo Marx